TICKETS ON SALE NOW: https://impactflow.com/event/mary-janes-the-women-of-weed-documentary-7315
Women are changing the face of today’s fastest growing industry - cannabis.
Join filmmaker Windy Borman as she explores the movement to end marijuana prohibition, her own relationship to the plant, and
the stereotypes surrounding it. Through a series of empowering and educational interviews with a broad diversity of women leading the industry today, Windy’s own assumptions are transformed as she discovers cannabis liberation intersects with the most urgent social justice issues of our time. She learns how this green revolution has big effects on environmental sustainability, ending the War on Drugs and the Prison-Industrial Complex, and the destructive domination of Big Pharma.
Film Director/Producer Windy Borman explores how marijuana is the first new industry to emerge in the 21st century—and it’s led by women. By looking at the intersection of gender parity, social justice, and environmental sustainability, Borman explores how cannabis is not only an industry, but also a movement of dedicated and pioneering women she calls “Puffragettes™” (as in Pot + Suffragette).
This evening is brought to you by:
The Law Offices of Greenspoon Marder https://www.gmlaw.com/
Greenspoon Marder expanded its national Cannabis Law practice in Nevada City, California with the addition of leading cannabis partner Heather L. Burke. Ms. Burke joins the firm’s national Cannabis practice in servicing individuals and businesses in the cannabis industry on the West Coast.
About Producer / Writer / Director Windy Borman
Windy Borman, MST, is a multi-award-winning film Director and Producer, as well as the founder of DVA Productions. Her recent projects include directing and producing the 10-time award-winning film, “The Eyes of Thailand” (narrated by Ashley Judd), and producing “The Big Picture: Rethinking Dyslexia”, which premiered at Sundance and on HBO. Other credits include producing performances for Dr. Maya Angelou and Margaret Cho, directing “The Vagina Monologues”, and writing for Kindland, Takepart.com and Indiewire: Women and Hollywood.
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